Entry 9 - More outside shots
These are shots just to fill up spaces.
1. This shot is of me running and a car passing by. There's no one to stop if I'm okay. It's just me and the world. I like how the car runs by me, covering me up. I could use this when editing, so that I can disappear after the car goes by. This is a long panning shot.
2. This shot is a back medium long shot of me stopping and then looking down. I'm on the line of third and the colourful lights that's reflected onto the floor because of the rain adds colour into the film. It's pretty. It reminds me of dystopian tokyo. I also like the car reflected onto the windows of the building.
3. This is a medium shot of me looking up and then facing little frame space, showing how vulnerable I am. I started from the middle of the firm and then ended in the right third of line because of the dolly. I kind of really dig that because it appears as if I'm losing more power as I go.
4. This is a close up shot of me, which shows my facial expression of disdain more.
5. This shot is a medium long shot of me touching the water. It's a high to low angle shot, making me vulnerable. To add on top of that, it's slightly canted. The leading lines also emphasises this. I also like the light reflecting onto the water, creating shiny waves. However, I hate the fact that it's blurry.
6. This shot is a shot of me touching the water. I like the waves that I create. For once I'm not running away from something, but creating something, dealing with it. Once again the light shining the waves. I also like the fact that it's a high to low angle shot, which would make my whole MV not boring.
7. This shot is of the camera on the bench and me walking away from the water, because I'm leaving my problems away. I'm finally reflecting and not running away from my problems.
1. This shot is of me running and a car passing by. There's no one to stop if I'm okay. It's just me and the world. I like how the car runs by me, covering me up. I could use this when editing, so that I can disappear after the car goes by. This is a long panning shot.
2. This shot is a back medium long shot of me stopping and then looking down. I'm on the line of third and the colourful lights that's reflected onto the floor because of the rain adds colour into the film. It's pretty. It reminds me of dystopian tokyo. I also like the car reflected onto the windows of the building.
3. This is a medium shot of me looking up and then facing little frame space, showing how vulnerable I am. I started from the middle of the firm and then ended in the right third of line because of the dolly. I kind of really dig that because it appears as if I'm losing more power as I go.
4. This is a close up shot of me, which shows my facial expression of disdain more.
5. This shot is a medium long shot of me touching the water. It's a high to low angle shot, making me vulnerable. To add on top of that, it's slightly canted. The leading lines also emphasises this. I also like the light reflecting onto the water, creating shiny waves. However, I hate the fact that it's blurry.
6. This shot is a shot of me touching the water. I like the waves that I create. For once I'm not running away from something, but creating something, dealing with it. Once again the light shining the waves. I also like the fact that it's a high to low angle shot, which would make my whole MV not boring.
7. This shot is of the camera on the bench and me walking away from the water, because I'm leaving my problems away. I'm finally reflecting and not running away from my problems.
wow!
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